Raajneeti Movie Review

Raajneeti (Hindi)

Release Date:
June 04, 2010

Raajneeti is a story about Indian politics. About Indian democracy. About Indian elections. Above all, it is the story of a few people who control the destiny of millions. It is the story of their unstoppable ambition, and their bitter and violent battle to achieve it. This is the story of people who understand power and know how to wield it at will.

It is the story of Bhasker Sanyal (Naseeruddin Shah), the fire brand leftist leader, as feared for his single handed ability to challenge the most powerful of leaders as he was respected for his political integrity. Until one private mistake of his hurtled him into a self imposed exile and spawned a secret consequence that shook the destiny of the political future of the state.

And of Sooraj (Ajay Devgan) who rose from the backward classes with anger in his heart and leadership on his mind. And yet, his destiny could never overcome the tragedy of his birth, trapping him in a terrible dilemma where his loyalty to his friend threatens to destroy his own family.

Of Brij Gopal (Nana Patekar), who shunned every political ambition even as he continued to mentor and guide the younger generation of leaders while the battle got bloodier by the day.

It is the story of Prithvi Pratap (Arjun Rampal), heir to a powerful political legacy and impatient to seize the top position. A man with a heart of gold but who is all brawn. A man whose uncontrollable passions bring his family to the brink of political extinction.

And of Veerendra Pratap (Manoj Bajpai), whose lunge at the throne was thwarted even as he was within striking distance of it. A man who believes he was born to rule, and who will now stop at absolutely nothing to claw his way back to the top.

Of Indu Sakseria (Katrina Kaif), the princess – beautiful, passionate, arrogant. She had only one all consuming love. Little did she know that her personal happiness was dependent on the changing electoral fortunes of her love, and that even a slight shift in the faultlines of political negotiation would cause a devastating earthquake in her personal life. And yet, this spirited never say die diva rose from the ashes of her tragedy to challenge every contender, over turning the political future of the state.

Of Sarah Jean Collins (Sarah Thompson), who came from one of the bloodiest and most violent places on earth. Who escaped from there, bruised, hurt, and fell in love with a soul mate who shared a similar legacy. And her abhorrence for it. And yet, when he was sucked into his destiny, this innocent bewildered girl’s private world was thrown asunder. And, it is the story of Samar Pratap (Ranbir Kapoor), the ultimate outsider. The apolitical conscientious objector, who got reluctantly sucked into the battle ravaged arena of family rivalry. Only to turn into a master of the craft of political warfare. It is the story of the woman that he loved, and the one that loved and lost him. It is the story of his determined and fierce fight to protect his family. Of the bloodiest of final battles in a war alien to his character. It is the story of a man’s descent into the moral hell that is Indian politics.

It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflictridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains.

Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.

Raajneeti is a story about Indian politics. About Indian democracy. About Indian elections. Above all, it is the story of... Show More

Jha creates a real sense of the machinations and sordid deals that fuel politics but then hobbles it with outlandish twists and some decidedly ‘filmy’ moments

In the end "Raajneeti" is thrilling and gripping for the most part, even though it does lose steam in its final act. For the superb acting, and for the exciting dramatic highs, it's a film I recommend you do not miss.

None of the actors assembled on stage let him down: right from an unusually inspired Rampal to his powerful, polar opposite Bajpayee

Hindustan Times

Raajneeti didn’t get me involved with any of its characters, their destinies, dilemmas, choices, and decisions.

Raajneeti’ starts by trying to give us a throbbingly-alive picture of things as they are today, but ends up becoming stodgy and diluted in its attempt to accommodate A-list stars

Indian Express

Raajneeti is easily the best of the big films we have seen in the recent past even though it doesn’t necessarily make it a very good piece of cinema.

The Telegraph

You have to love politics and drama to watch this. An epic drawn from modern Indian politics can Can either be a soap opera or a complex thriller. Raajneeti is somewhere in between. It is eminently watchable, but short of a masterpiece.

The screenplay is weak, manipulative and every possible kind of lazy, with an omniscient narrator who vanishes after a while, a slew of unbelievably one-note characters, clunky dialogue that often lapses into something from period cinema, and bloody deaths thrown in every few scenes to kickstart the drama in this exhausting 3-hour film

Rediff

Raajneeti is an absolutely performance driven film and Jha not only extracts excellent performances from his cast but also balances each role so that no actor overshadows the other

IndiaTimes

The film basically anchors its plot in two classic tales -- The Mahabharata and The Godfather -- to create an engrossing diatribe on India's political system where democracy may prevail, but not in its purest form

Times of India

Had he [the director] restricted politics to a game of wit amongst the mercenaries and power hungry, Raajneeti would have been more appealing.